Keep reading for more steps to make your beat.
Everyone’s making beats nowadays. It’s no surprise that beat-making is an incredibly fun and rewarding pastime that, with practice, may even turn out to be your livelihood.
Beginning with beat-making isn’t hard. Actually, a lot of the concepts we’re going to cover in this article are super easy to know and begin using in your music productions.
Even though the ideas are easy, there are many different things to know as you move via the process of finishing your first beat.
This article is a jumping-off point for your beat-making journey. We’ll stroll you through the fundamentals of everything you should find out about starting and finishing your first beat.
By the end, you understand what tools and software you need, what instrumentation to think about, sampling advice, arrangement tips, production tips, and much more.
The most effective drums are real drums. Some of the greatest real drums on some of the best albums ever were created by session drummers. That lay down iconic drum recordings one undertaking at a time.
You may know the myth and the lore of session drummers.
However, what are session drummers and how do they actually work?
And more importantly, how do they work, how can they match your projects. And how can you hire them to give you the crispy drum tracks of your dreams?
In this article, we will learn all about the ins and outs of session drummers. And the way they can provide your projects the drummer’s touch.
Mastering has all the time been a bit of an enigma within the music-making process—its definition has shifted over time and over time its significance has modified.
At present, having a great mastering engineer is still key to releasing a good-sounding record.
However, what precisely can a mastering engineer do for your tracks in 2021 and when should you hire one?
In this article, I’ll break down what you may expect from mastering engineers and highlight a handful of instances in your music. Continue reading →
Polyrhythms may be one of the most misunderstood rhythmic concepts in music theory.
If you’re just getting began with music you might have written polyrhythms off as being too difficult and hard to understand.
Sure—you’ll need some basic understanding of rhythm and meter.
However, with a number of basic ideas, polyrhythms aren’t actually that difficult to understand.
The truth is, polyrhythms are actually cool and they can add another dimension to the rhythms you write and play within your own music.
Once you’ve studied and discovered them you’ll hear them used everywhere in music, from the top 40 charts down to the most complicated avant-garde compositions.
So let’s check out how polyrhythms work and learn some simple ways to feel their unique rhythmic characteristics in your own playing.
Recording music in a home studio isn’t all the time as easy as it seems. Even in case, you’re just using basic gear like a microphone and audio interface to record yourself, you’ll be able to still run into complex technical issues. One of the most complicated issues that beginner and intermediate producers feel struggle with is out-of-phase audio.
When you add a new track to your DAW session, you’ll need to determine between mono vs. stereo.
However, what does each term mean? And what are the main differences? When do you have to use a mono track and when is stereo the better choice?
In this article, we’ll explain all the things you should know about mono vs. stereo—from tracking to the final master.
Browsing through piles of samples to seek out the right sound for your beat is like looking for a needle in a haystack. To hear the way a sample sounds in context with your beat it has to match your beat’s key and tempo. The best way to do this is with pitch shifting and time stretching. The best part is free time stretching and pitch shifting tools exist that will help you independently change the tempo or key of any sample you discover. It’s remarkable how this technology changes all the things about beat-making. In this article, we’ll explore why time stretching and pitch shifting tools are so useful to every music producer—and we’ll take a look at specific ways you should use them in your music-making workflow.