8 Essential Elements of A Vocal Chain (2/2)

8 Essential Elements of A Vocal Chain

Keeping up with the previous part about the essential components to finish a vocal chain. A strong vocal chain is critical to the completed sound of a studio recording. After all, for today’s audiences, vocal tracks must sound polished and powerful. But what exactly is a professional vocal chain? What elements are present, and how do they function? In this article, I’ll dissect a typical vocal chain and explain how each component contributes to music mixing. Let’s discover more with us!

5. De-esser

Sibilance is the cruel scraping sound that generally happens when a vocalist sings the ‘s’ syllable in a phrase.

It may be particularly distracting with some singers and microphones, so there’s a complete class of processors designed to assist cut back it.

These are known as de-essers. A de-esser is a type of compressor that works by lowering the signal’s gain only when the harsh’s’ sounds occur.

Since some EQ and compression settings could make sibilance extra obvious, most engineers use a de-esser sooner or later of their vocal chain to maintain it below management.

6. Widening

Up to this point, you could utilize all the effects I’ve mentioned one after the other in a series.

They’d be added to the insert results portion of the channel strip for the primary vocal monitor.

The following three would usually seem on aux send channels in a parallel configuration.

If you only need the fundamentals, all you need to know is that any effects that generate a separate wet and dry signal are typically used on separate tracks.

Setting the effects signal to 100% wet on its own dedicated aux return channel allows you to precisely blend the wet and dry signals using the DAW’s mixer.

Then, this makes it easier to manage in a busy mix.

One widespread impact used like this in a vocal chain is widening. Typically known as detune or micro pitch, widening is a delicate type of modulation effect that creates a way of stereo depth.

Typically, people use it in vocal chains to create a larger-than-life, enveloping sound that gives vocals a three-dimensional quality.

7. Delay

One other impact used on an aux send is a delay.

Delay is the echo impact that creates rhythmic repeats that decay away into the ambient wash.

It may be delicate or psychedelic, nevertheless, it’s a key part of vocal chains for the best way it helps a vocal mix into the feel.

One widespread kind of vocal delay is a brief stereo setting with barely totally different delay time parameters for the left and proper repeats.

This can produce a sense of width and space between reverb and widening.

8. Reverb

Talking of which, reverb is the ultimate important ingredient in a vocal chain.

Reverb simulates the reflections from the surfaces in acoustic surroundings that situate a sound in an area.

Because studio vocals are recorded in an isolated environment such as a vocal booth, some ambiance must be added after the fact to make it sound natural.

Vocal reverbs can simulate a wide range of settings, from a tiled toilet to an enormous cathedral.


Whereas the results I discussed above are widespread in vocal chains, they are far from the limit of what you can do with your vocal tracks.

In any case, your strategy for mixing is totally as much as you—there are no guidelines!

That stated, in the event, you’re searching for a spot to start out, these recommendations give you some strong concepts to start with.

In the event you’ve made it via this text, you’ll have an excellent beginning for crafting your individual vocal chains.

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